Link represents Courage, Zelda Wisdom, and Ganon’s desire to conquer yields him the Triforce of Power. The three of them are linked through The Triforce, a source of power which reflects their character. As the story evolved, Zelda became less of a damsel and more of a colleague. It’s the story of Zelda, the princess of Hyrule, and her companion, Link, who helps her overcome the schemes of the evil Ganon. The Legend of Zelda, which premiered in 1986, is only rivaled by Mario in the Nintendo pantheon. Folks either dressed for the occasion, reminisced about the past, or both. The shared anticipation of the game’s release linked us together. It was refreshing to be a part of a community, if only for a few hours. Walking around late at night, or sometimes in broad daylight, contains its share of risks. Ever since 2020, the gaming monitors in stores haven’t been accompanied by controllers. As summer approaches, we’ll see blockbusters from comic book giants Marvel and D.C., featuring familiar names such as Spider-Man, Batman, and The Flash. I recently saw a movie preview for “Transformers: Rise of the Beasts,” which provided some polish for a franchise first made famous in the 1980s. Such callbacks aren’t just therapeutic – they’re marketable. Blockbuster, of course, is a thing of the past, but the childlike desires of kids at heart remain. I was close to my son’s age when I begged my parents to rent video games every weekend. I often chuckle when people suggest that a Blockbuster card is a form of ID for millennials. I celebrated the occasion at my local Gamestop, which allowed gamers and enthusiasts to win prizes, pick up the game, and quite frankly, be kids again. One of Nintendo’s staple franchises, The Legend of Zelda, enjoyed its first release in six years: Tears of the Kingdom. Then, I picked up a sword in search of adventure. Last Thursday, a few hours before midnight, I left my house in a folktale-like fashion.Īs the moonlight draped the bedroom, I tucked my oldest boy under the covers for the evening. She says with a laugh: “It was really crazy that I spent five years of my life doing this!” “America is an amazing land full of storytellers,” she says.She’s also aware that some people would find her compulsive need to map novels slightly, well, obsessive. Straight is also a collector of stories as she travels, including the ones she hears from gas station attendants, truckers, and truck stop servers. “If you want to know how somebody in Alabama feels, read one of the books set in Alabama,” she says. Ms. Straight says her literary map rejects red-state/blue-state divisions in favor of human empathy and understanding. That was super fun.” She calls her project 1,001 Novels: A Library of America. Beyond the map’s cool factor, the featured novels offer insights into the people of a particular place. “Here’s the 7-Eleven or here’s the campground in Alaska. If she wasn’t certain, she contacted the authors. “I tried to find exact locations for everything,” she says. Instead, using Google Maps, she pinpointed the places where each of the novels was set. And she didn’t simply plunk a marker down in the middle of a state and call it good. Straight, a professor of creative writing at the University of California, Riverside, started a project – just for fun – to create a literary map of the United States. As she passes through regions of the country on one of her epic road trips, she views people and landscapes through the lens of literature. Growing up, “Books were this huge deal to me, and books were how I learned about America,” she says in a video interview. When Susan Straight travels, she sees novels. When Americans travel, they see mountains and valleys and oceans.
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